He was raised in Brooklyn, New York in a family of eight children.
More and more, Denver has become a collaborative city, especially for performing artists who are bringing together shared visions as a way of evolving their art — and expanding their audiences. The last decade has seen Wonderbound change the way it does business and do away with its annual profit-making The Nutcracker, a feat few dance companies could muster enough budget confidence to attempt.
Wonderbound has built its repertoire with the help of non-dancing artists who are full partners in its productions.
Wonderbound has commissioned a diverse list of stylistic cohorts, from the old-school Baroque Chamber Orchestra of Colorado to the psychedelic-folk group Chimney Choir. Ammon also experiments with placement of the musicians.
They have slowly crept from the wings to more prominent spots — on high risers behind the dancers or center stage; they are features of the production, rather than servants to it in an orchestra pit. At first,I would forget words because I wanted to take everything in.
One of the first things he expressed to us was that Wonderbound wanted us to approach our playing with risk and real expression, fully knowing there is an improvisatory feel to great performance.
Local rap duo The Flobots will join the company this month, interweaving among the dancers, microphones in hand, as they bounce to hip-hop beats. Wonderbound invites the musicians it collaborates with to enjoy and play in this space in residency for a week or two during the creative process.
This is where the lines of who is influencing who become blurred. Wonderbound also experiments with putting actors, writers and magicians on stage as part of the performance. With Wonderbound, musicians perform center stage.
It certainly made me wealthier in terms of experience and delivery.
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My work with Wonderbound is one that I highlight in my development as an artist. Many express gratitude to both Ammon and his wife, Dawn Fay, who co-runs the company, for the opportunity to not only grow their art, but expand their minds as to what is possible.It looks like you've lost connection to our server.
Please check your internet connection or reload this page. Jorge Casco, co-director of Fly Dance Company, brings new program opportunities that will motivate students to engage in the learning process through dance, music, art and hip hop culture.
year anniversary, Orange County-based dance company Backhausdance will perform at the Richard and Karen Carpenter Performing Arts Center on the campus of Cal State Long Beach on February 2, at 8pm.
, the performance of his Concord Sonata () for piano received an ovation at its first performance in NYC and in he received a Pulitzer Prize for his Third Symphony () Charles Ives his music is deeply rooted in folk and popular music he grew up with.
"Orion's Gait" turns into the melancholy sharp tango of Akua's Dance, which the cellist describes as, "A cycle, mostly in seven, but with a couple of bars in six floating around" that dances on the Latin feel from Lewis' peppery percussion and Bryant's acoustic guitar solo.
Akua's Dance also transposes two covers into Dixon's unique voice. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get them in front of Issuu’s.